Those Ducks Are Double-Crested Cormorants (2:22)

by @freshspotlessyouth · @ayais

Liner Notes

#cageian #attention #birds #folk @ayais posted a piece which he described thusly: "Surprisingly, folks from the future sent a composition titled 2:22 through a tiny wormhole. It's a lot like a piece by composer John Cage, who wrote a similar (though longer) piece in the 50s." As it happens, I'd done a cover of that longer piece, which I called 4'33" On Repeat. Since all sound is part of the same song, I thought I'd add some sounds and words to 2:22. I wanted to keep it loose, improvisational, and hyper-lofi, which struck me as being in the spirit of the original. I'll probably reuse the snippets of melody, which I like. I recommend not reading the lyrics, so you can just listen, preferably with earbuds that allow ambient sounds to join the song. Or you could pretend this never happened and go for a walk.

@ayais sez: This now sounds like a live concert recorded on someone's phone. And it seems to have relaxed you. And your work is very fine.

Lyrics

Most things are where they are You could see them there Or you could sit down right there where your feet are And open up your eyes And open up your ears Those ducks down at the pier are double-crested cormorants Hey hey Those ducks down at the pier are double-crested cormorants

I guess I’m talking about that world-in-a-grain-of-sand And heaven-in-a-wildflower stuff that Blake talked about You’ve probably heard that part of the poem But I bet you’d be surprised if you read the rest of it Or if you knocked on your neighbor’s door Yeah you know that guy You’ve seen him walking around with his dog Where’d all these birds come from How did they get here Who knew house finches were red Or that those ducks down by the pier were double-crested cormorants Or that a fir is not a spruce Or, heck, even a fir, sometimes Those ducks down by the pier are double-crested cormorants Hey!

Comments

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Sitting on an airplane on the runway with the engine-y silence behind this piece. I spent the past few days with a two-year-old in Dallas. We took her rubber bathtub ducks to the water feature in the Trader Joe’s parking lot and let them swim. The next day we saw a pair of mallards land in her neighbor’s yard. Felt like we had maybe conjured them up. We didn’t knock but now I wish we had. I like the summoning up Blake in this homage to John Cage. Lift off.

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The softness and intimacy of this is a refreshing change of pace. In mood, it reminds me a little of some early Simon and Garfunkel, where pieces were gentle and reflective. Eye to eye with nature, looking more carefully than most do, allows my mind to settle in a different place. Very enjoyable.

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I really like this. I see a scene of two people sitting on a park bench overlooking the water next to someone with a guitar having a conversation. Talking about immediate things and philosophical topics. Things are happening in the background and things come and go as they do in life… but here we are with a bench, a guitar and view of the cormorants down by the pier. The micro view meets the macro view and back again.

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@tageule

Aw, this is lovely! I love the atmosphere of it. The original piece was whimsical and unique and cute, and the additional tracks turned it a different flavour of whimsical and unique and cute. Very FAWM. Makes me want to do collabs again after keeping to myself this year. Also, I had to look up the birds in question, they are fancy! (Don't know why you would call "crest" what is clearly eyebrows. The german version even calls them "ears" - ridiculous! Hey hey) Anyway, I really enjoyed listening.

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The improvisatory nature of this is exhilarating. And as I've been a birder since I was a little kid, I'm delightedly imagining this as a twitcher indignantly informing someone who made the mistake of speaking within earshot that cormorants are a separate species, and not ducks at all. "You know that guy" indeed; there's always one nearby.

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@arcane

Yes, it's a concert room, but it's a special performance and there are only friends in the audience. That's how I feel because the silence around the performer is attentive and respectful. Somehow it creates a wonderful atmosphere of kindness.

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It feels like sitting in the room with a friend listening to them philosophize in the early morn as the sun has just risen, while someone is making breakfast, very relaxing

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@fuzzy

Yah, I tried to do something with the original tune but got lost in a forest of loops. Your approach is so much better. Loving the spoken-word approach. Nicely done.

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I like the spoken word, works well here! ducks not birds! some good lines here. very thoughtful piece.

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@heid

The spoken lines are delivered so earnestly and just right. I love the line that a fir is not a spruce, or heck, even a fir. There is some great advice in here. Which Blake poem have I just been assigned as homework? :)

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@ttg105

Really beautiful melody, and I love the lyrics. The spoken and sung parts work well together. The ambient background is lovely and provides a great backdrop to the soft singing. Nice!

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yeah, we live in a world were people mistake birds for ducks. you put it in such a polite way. the music is very pretty and you spoken parts are as melodious as the sung parts.

[FAWM]